Check it out, the bell end is modest, which limits the buildup of bass response allowing the mid-range and upper ranges to shine through creating concert quality accoustics. Frank Thill kept trying to instill that understanding and influence over my crafting, and even though I understand it fully I have a hard time not just creating the most fantasmagorical art/sound sculptures imaginable. This shaping and sizing exhibits the utmost restraint resulting in a very refined recording quality instrument while still delivering a good loud projection. Looking closer at this supposedly modest instrument yields a deep appreciation of the spalting, figuring, and velvety rippling waves of grain. Does everything well with perfect balance. Compares to a fine Bently motorcoach.